Warhammer 40K: World Eaters - Lord Invocatus

Games Workshop

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Recommended Paint

Lord Invocatus is a master of swift raids, devastating counter-attacks, and relentless hit-and-run strategies. Also known as Khorne's Thunderbolt, this born marauder thunders through the air as if riding across solid ground, mounted on his massive juggernaut, Khal’guruth. Devoted above all to the Blood God's service, Lord Invocatus leads his warbands from one battlefield to the next with supernatural speed, seeking always to spill as much blood as he can.

This multipart plastic kit builds Lord Invocatus a legendary warlord of the World Eaters Legion. This mysterious figure is mounted atop his mighty juggernaut Khal'guruth, Steed of the Burning Sky, and wields a pair of signature weapons a bolt pistol called Trickster's Doom, kept holstered at his waist, and a peerless chainaxe dubbed Coward's Bane. His ornate armour bears all the signs of Khorne's hellish favour from the sigils of Chaos to his biomechanical daemonic helm.

This kit can alternatively build a World Eaters Lord on Juggernaut.

This kit comprises 66 plastic components, and is supplied with a Citadel 90x52mm Round Bases. This miniature is supplied unpainted and requires assembly we recommend using Citadel Plastic Glue and Citadel Colour paints.

    Games Workshop have two broad methods for painting their models. Both are entirely viable options, though have significant differences in the paints required (detailed below). You can find all of the required paints in the 'recommended paint' section below, whether you simply want to get it out onto the tabletop ASAP (i.e. 'Battle Ready'), or want to take your time and make it a masterpiece (i.e. 'Parade Ready'):

    1. Classic Method - uses acrylic paints to build layers of colour and depth. Usually topped off with a shade paint to really make the shadows pop. Probably the most beginner friendly method as mistakes are often easy to fix.

    2. Contast Method - uses ink-like contrast painsts which sink into recesses, providing depth in highlights and shadows with a single layer of paint. It can take some practise to get this method to look great, but it's highly satisfying when it does work. Less forgiving when mistakes happen, though arguably the quicker method of the two options.

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